7,6 / 10

country=USA

review=At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths

Actors=Jim Parsons

Directed by=Joe Mantello

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The Boys in the band blog.

The boys in the band movie cast. The Boys in the. The boys in the band original. Back in 2018, Mart Crowley's groundbreaking play "The Boys in the Band" was produced on Broadway to commemorate its 50th anniversary. This followed its original Off-Broadway run and its subsequent 1970 cinematic adaptation by director William Friedkin. As with that film, Netflix's 2020 version lifts the entire stage cast to reprise their roles, resulting in a production that consists entirely of openly gay actors. The most familiar faces in the crew are Jim Parsons, Zachary Quinto, and Matt Bomer, whose presence ties this feature to his boss on numerous other projects, Ryan Murphy. Thankfully, Murphy only serves as a producer here, turning the reins over to the 2018 revival's director, Joe Mantello.
Once again, Crowley adapts his material to the screen, this time collaborating with Ned Martel. The film is dedicated to the author, who died this past March, and wisely stays in the timeframe in which it was written. It's the year before Stonewall, and six friends are throwing a party for their pal, Harold (Quinto. This shindig will unfold at the home of Michael (Parsons) their resident social butterfly and master of ceremonies. Michael has quit drinking, a decision noticed by the party's first guest, Donald (Bomer. It's implied that Michael is not a nice drunk, though his shenanigans while under the influence make for memorable post-party conversations and maximum shade throwing.
We also learn that Michael dreads getting older, fearing that his hairline is doing the moonwalk atop his head. Donald, who admittedly does not look like he'd be kicked out of bed by anyone with one iota of common sense, humors his former lover. As they chat, Michael prepares some hors d'oeuvres to go with the impending tidal wave of booze and the requisite birthday cake. The appetizer du jour is made from crabs, which one should always avoid at parties. Most of the guests heed this advice, creating a bit of a running joke as the night wears on.
Soon, we are joined by everyone but Harold, whose fashionably late appearances are notoriously expected and tolerated. There's Emory (Tony nominee Robin de Jesús) the most flamboyant member of the crew, Larry (Andrew Rannells) and his soon-to-be-divorced partner, Hank (Tuc Watkins) and Bernard (Michael Benjamin Washington) who, to paraphrase Celeste Holm in "All About Eve, is what the French would call "de Token." You can bet your last money that, with Bernard in this bunch, somebody's going to drop the N-word, and it isn't going to be Bernard.
In addition to our starting lineup, there are two unexpected guests. One is Emory's birthday present, a midnight cowboy (Charlie Carver) whose brain has comically stopped at noon. The other, far more ominous visitor is Alan (Brian Hutchison) Michael's super-straight roommate from university. Alan's in town and calls Michael to set up a meeting. When Michael explains he has a prior engagement with friends Alan won't like, Alan suddenly begins to weep, shattering the tough façade Michael always knew him to have. Worried, Michael invites Alan over for a quick drink, warning his partygoers to, dare I say it, act straight until he leaves. When Alan calls later to reschedule, Michael is relieved. At least until the guy shows up anyway. When Alan realizes that, not only is he surrounded by gay men, but that his girl-crazy best mate at uni is also a member of that order, all Hell breaks loose.
One of Crowley's more interesting dramatic details is how he makes Alan's dilemma, that is, the reason he weeps and wants to see Michael, the play's MacGuffin. The reason why Alan shows up unexpectedly, why he won't leave even when his homophobic senses compel him to, and what he so desperately has to tell Michael are all left up to the audience's devices. As the only "straight" character in the play, Crowley purposely makes him a bland, rather pathetic catalyst. Sure, he triggers Michael and pushes him toward the bottle, but other than that, he's a deer trapped in rainbow-colored headlights.
There's always a deliciously nasty bit of schadenfreude involved in watching a member of the majority squirm when forced into the minority-filled presence his privilege would normally allow him to avoid. When Emory challenges Alan's rigid homophobia, Alan responds with the violence you'd expect from a man who's very likely living a straight lie. But this is the only clue Crowley gives us about Alan's true intentions. However, he also uses Alan to provide the play's funniest moment, a vicious (and accurate) jab at heterosexual naïveté: When the straight-appearing Hank reveals he likes men, Alan exclaims "but he's married! The other men spontaneously explode with uproarious laughter rife with derision.
Here's where Harold, late as usual, shows up in this review. He arrives just as Alan is attacking Emory and Michael is reintroducing himself to hard liquor. Like Michael, he's concerned with his looks, but he preens and paws over himself in the mirror until he's found (or applied) the courage to venture out. This supposedly explains his tardiness. As drunkenness turns Michael into the face that launched a thousand quips, Harold haunts the background of the party enjoying every bit of the mischief. He's a wallflower with thorns and Quinto plays him superbly. Looking like a young Eric Bogosian cosplaying as a seedy Count Chocula, Quinto sucks up the drama like a vampire, so much so that, when his big moment arrives, we truly believe in the threat he aims in Michael's direction. It's the film's best performance.
On the opposite side of the spectrum, unfortunately, is Jim Parsons. Michael is a tough role to play, and full disclosure, I saw this production on Broadway and had the same problem with the performance. This character is rigged to plumb some of the same depths Albee's Martha does, but except for his final speech, where his reactions are genuinely powerful, Parsons is far too mannered and one-note here. By the time the film turns into "Who's Afraid of the Big Bang Theory, it feels like we're watching a loop of the same scene.
This is most evident in the play's centerpiece, a game where Michael challenges his fellow men to call the person they loved the most and tell them. The concept is a stroke of dramatic genius by Crowley, a bit of cruelty that is both sadistic and masochistic. It works like gangbusters in Friedkin's original because Kenneth Nelson's Michael anchors the sequence, finding the convincing, forceful bogarting I didn't see in Parsons' performance. Here, it's less successful despite the excellent work by de Jesus, who breaks your heart, and Watkins and Rannells, who find bitter romantic comedy in their phone calls. Mantello keeps cutting away to flashbacks just as the actors are reaching high points in their monologues. He also ends the film with a very cheesy, literal representation that was entirely unnecessary. These diversions lessen the effect of the speeches, even if one of them provides an homage to Esther Williams' underwater sequences that would have made an outraged Louis B. Mayer roar louder than his company's logo.
That randy moment of skinny dipping occurs during Bernard's phone call moment and, I'm sorry, I just could not deal with this character. Washington gives a good performance, but what he's given to play is head-scratching at best. His arc feels like a segment of "Slave Play" presented by the Children's Television Workshop. I know it's 1968, but this part of the movie feels misguided and underwritten. There's a potentially interesting set of events and race-based details worth investigating, but for such a daring work as this was, and is, it's a rare moment where it feels like the play doesn't understand a character.
"The Boys in the Band" has been accused of presenting gay men as self-hating, but at least for me, the emotions and traumas presented are far more complicated than that. Even though it's a period piece, it's still designed to evoke the same feelings in the current gay or bisexual viewer and to start the same important conversations about who we are and what we feel. I'll keep saying this: representation matters, even if it's as imperfect as Bernard.
For example, credit where it's due for the moment Michael reacts after Alan catches him and his cronies dancing with one another. Even though it's his house (and by extension, his rules) Michael still tries to keep up straight appearances for Alan's sake. When Alan catches the dance number, and Michael turns around to see him, Parsons nails that horrified reaction, then tempers it with a subtle, growing sense of relief and defiance as the scene goes on. It reminded me of the moment when I was not yet out at work, and my boss walked by the gay bar I was drinking in; he looked in the window at the same time I looked out. He saw me and I froze for a moment, then I smiled and waved at him. You may experience memories like this when you watch "The Boys in The Band." I prefer, and recommend, the original, but I'm on the fence about this one. Your mileage may vary.

The boys in the band cast.

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I'm a musician, singer songwriter and I was always into Alternative Rock but you guys started the movement to have Boy Bands really step up with Soul Producers who knew how to move an audience. Awesome feel and great vocals... My respect. My heart exploded when i saw my Sheldon in tears 😢😢😢😭. Well played! Great performances by the actors.
Luckily we've come far from 1968 when it comes to LGBT rights and how we see gay people and how they see themselves. Or have we?
It's a funny movie, but first and foremost It's sad and it makes you think. The boys in the band musical. I really need to watch this movieI know Leonard Frey from his role as motel on fiddler on the roof and it feels weird watching him in this one LOL.

I was feeling down in the dumps today, but this brought my spirits up! Made me smile 😊

The Boys in the band of brothers. The Boys in the bad seeds. The Boys in the band 3. The boys in the band reviews. The boys in the band 1970. Interesting analysis. Incredible film/play. So underrated. Extraordinary performances, every single actor. Harold was a former figure skater and I did not think that Michael was an actor. I felt Cliff Gorman's portrayal of Emory was a bit too much. Looking forward to seeing it on Broadway soon. The boys in the band synopsis. The boys in the band plot summary. The boys in the band netflix review. The boys in the band play. All I can think when I see him is teen wolf. The boys in the band wikipedia. Thanks. I loved this. Xxx n. Charlie is so cute, I just love him. The boys in the band revival. The boys in the band movie 2020.

The boys in the band netflix. The Boys in the bandcamp. The boys in the band wiki. The boys in the band movie. 07:36 Fantastic 💋💞 💝💖❤️. My 6-year-old daughter wants to watch this over and over. The boys in the band review. The boys in the band original cast. The boys in the band trailer. The boys in the band (1970. The boys in the band streaming.

The boys in the band rotten tomatoes. The boys in the band movie 1968. The Boys in theband. 'Cowboy' Tex was as dumb as dogs' balls, but what a 'present. The sterotypes presented here might be simplications, as the narrator suggests, but Christ, there's more than an element of truth to them! They're all middle-class privileged New Yorkers. Emory is utterly excruciating. That revelation about the thwarted crush has pathos, but so what? I love the diverse range of types here. Michael is a shit, undoubtedly. Alcohol would really bring out the bitchiness in these queens- not far from real life there! We all know how so many queens abuse substances of one type or another! You have most of the types represented here, it's little more than a good case for suicide if you ask me. As for Brokeback Mountain, that's nothing more than a conventional case for the closet, showing 2 inexpressive men who endure unsuccessful marriages to conceal their truth (Jack clearly marries money and in this sense takes a female role. That film is little more than a cautionary tale with some nice mountain scenery.

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Jim Parson: you're late. brings out the roommate agreement. I love andrew rannells with all my lesbian heart. The boys in the band 2020 trailer. The Boys in the hand. Just watched it. Phenomenal performances. A-plus and deserves an Oscar 💅🏼. The boys in the band explained.

The boys in the band broadway. The Boys in the bande. I can remember sending a letter to the band when i was a teenager from the UK and getting no reply heartbroken i was. Netflix: how many openly gay actors can you cram in One movie? Ryan Murphy: yes. The boys in the band imdb. The boys in the band cast 2018. The Boys in the band site. Overrated, ZQ is fantastic and almost unrecognizable. The boys in the band release date. The Boys in the band website. The boys in the band alan.

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